It might seem obvious. I make music for the Otherworld/Katarkaros plot, and I tend to get told a lot I'm the next Hans Zimmer.
By that logic, it's "cinematic" or "dramatic", right?
Well, I don't think so.
Something felt missing in the way I describe my style. I could consider "x" piece with "y" style, but at the end of the day, I look back and go, "that's not right..."
In between the times I make the so called next Hans Zimmer cinematic music...
In between the times I once again caboose Flat to its knees...
In between the times I imitate other people but end up creating a one-man collab...
I end up making these bits of music with no real direction. They are beautiful. However, when they fly out of my head during the middle of the next Katarkaros, I am forced to suppress them. Then they're forgotten, I move on.
But with me locked to a tiny Chromebook with no power to run my normal pieces, my motivation was stunted, me continuing to suppress these "fillers" as I absolutely destroyed a minor competition I was interested in.
Doing so, I have accidentally unlocked a new world of composers that so few have seen. Divided by the drama of the long past, these two worlds move together, but with little interaction. No wonder people ask why they receive so little attention.
I wish to bring these two worlds together. But first, I must first call out to the void: "*are you there?*"
I might be in the triple digits of followers, but why should it mean being ignored under the assumptions created by the drama? Am I the legend you need to become inspired to become better composers? Would *my history* bring us together, and for time memoriam allow both worlds to move as one?
Oh, yes, before I forget... what is my style, new world?
...
Pure Toned The style of expectations being met, while evoking untapped emotion. The style to bring us together with every note. This piece's style is "Pure Toned". Enjoy.